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The premise of Red Pill is a middle-aged academic accepts an invitation to go to an all-expenses-paid three-month artistic retreat in Berlin in an attempt to sort out his writer’s block.
The unnamed narrator only seems to be able to see this after a lot of bizarre behaviors on his part. A lot of the current situations and buzzwords are thrown about here in a tongue-in-cheek way, but ultimately this book was a bit like a puzzle where all the parts don’t quite fit together properly and there were a lot of blind leaps that were hard to believe. 3.5⭐️
* চিকিৎসকের পরামর্শ মোতাবেক ঔষধ সেবন করুন'
the election of Donald Trump and liberal fear and disappointment in the nation’s rejection of Hillary Clinton, a bit too on the nose if highly relevant to the topic - Kunzru ends on a note of both optimism and darkness, the narrator asserting his place in the world and his beliefs, while also acknowledging the fear and the danger presented.
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The narrator often recounted the conversations he had with others. Consequently, not only did the plot lack immediacy but the majority of the secondary characters were made to speak only through our narrator recalling the gist of their words (one could say that this is realistic bey he is retroactively describing his time in Berlin but why do we get some dialogues then?
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It stirred my mind and hamiş my heart, and in this way it was different from any other book I've read this year, and also made it different from my experience of what most literary novels burayı kontrol et written in English today are trying to achieve.
He includes a number of metafictional elements and literary references. It will derece be to everyone’s taste as it definitely goes into esoteric territory, but I enjoyed reading this creative exploration of ideas from a unique perspective.
I really don’t know what to make of it all. I guess the premise and parts of the first act were mildly compelling. I enjoyed finding out about Kleist and I thought Kunzru would explore the tantalising mystery of why the institute was spying on its guests, but he doesn’t. Other than that, I was mostly bored with what I was reading. The maid’s Stasi past was dull, the way all these divergent narratives came together was sloppy and contrived, and the entire characterisation of Anton, the Blue Lives creator, was bafflingly silly from start to finish.
While I appreciate the wider themes and message Kunzru is portraying through this novel - the blurb on Goodreads describes this birli "searching cobra 130 hapı satışı for order in a world that frames madness as truth" - I didn't always get along with the way he decides to convey them. The unnamed narrator is overly daha fazla bilgi al self-involved bordering on navel-gazing at times, which, yes, might have been the point.
There is an interesting story within the main narrative about halfway through, as the narrator listens to a maid and former punk rocker tell of her experiences in East Berlin and the effect Stasi persecution had on her life, which works really well in conjunction to his own growing fears and distrust. I loved Red Pill more when it was settled in Berlin - about two-thirds of it, before it drastically devamını oku changed course and felt like it wanted to start flirting with the apparatus of a thriller. Still, I found this a chilling and highly fascinating work overall, my third by Kunzru, that explores themes like cyberculture, immigration, and the white supremacist worldview. Feels very much right at home with its feet up on the table in this day and age.